If you’ve landed here from my facebook (hello) you’ve probably seen or heard about my project No Context. If not, No Context is the ongoing project where I film, edit and post online 30 seconds of my life every single day. Yesterday, the 9th August I posted my 100th video in this series and I want to share some of the things I’ve learned in starting this and seeing it through up to now.
The first thing to know is that this project came from a place where I felt I didn’t have the skills to use my equipment. I had changed cameras in December and still felt, four months later, that I did not know how to use it. This was compounded by having to change editing software since Final Cut 7 finally became incompatible with my OS in January. (Just let that sink in: I was using software released in 2009 in 2016). One of my primary goals was therefore to learn to use my camera and find what editing software suited me – and I did! After a dalliance with Premiere Pro (CS5 in case anyone’s curious) I settled into a regular rhythm of using Final Cut X for editing then colour grading in Da Vinci Resolve. I’d say over 60 of the 100 videos so far were created in that workflow but I recently got the hang of the (highly unintuitive at first) colour correction capabilities of Final Cut X. I remember the days when I swore blind I would never use Final Cut X. I now use it literally every day. All it took was some patience.
A difficult thing about this project is that, although it’s only 30 seconds a day, there are days when even that seems too much. One rule I set myself is to not use footage filmed for another purpose in No Context. Mainly this avoids running into any issues where organisations who I have worked with could claim I used footage produced for them but it’s also a good personal integrity failsafe. I never feel like I can just cheat a day and re-use some footage. The effect of this has been that there have been days where I have been solidly filming for hours on end but struggled to film No Context. The other occasions when this project seems huge is when life simply gets too much. This happens rarely but every so often I will have to make what feels like a monumental effort to produce something whereas the day after I could be sorting through three possible edits of a day. Life isn’t equally spread out but part of the fun is seeing through the ups and downs and watching the periods of rush and calm that come out in the project as a whole.
But these are technical goals and challenges. More than anything this project is about creating something and sharing something of myself and my life. That’s been beyond eye-opening. These last 100 days have been divided between three primary locations, spent with a huge variety of people and included one of the happiest weeks of my life, as well as a very difficult moment that I had to deal with. The videos that mean the most to me are often those that others find impenetrable or simply boring. On the other hand a video that took hours to edit and never seemed right at any point thanks to footage I didn’t like or a day when I felt like I had nothing to film have often been the videos that had the best reactions. It’s endlessly mysterious to me but I guess it’s in the nature of the project that it varies between pure aesthetic and more personality or story driven extracts.
People have told me they find the project voyeuristic, others have said it’s calming. I’m still not sure what it is yet but I’m sure I still have more to learn just from making sure I am creative and aware of my surroundings every day.
I said this in one of the videos and it was the idea that pushed me into this project so I leave you with the thought:
If I don’t spend 30 seconds of any given day in front of something beautiful or worth recording I should change what I’m doing with my days.
See the project from the start in the playlist below and subscribe to the channel if you want to see more. I’m still going.